Best modern simpsons episodes8/14/2023 “Most of us get an episode a year, and we get an opportunity in that episode to really say something - we shouldn’t waste it,” Sosthand explained. Loni Steele Sosthand, a veteran writer but a fairly recent Simpsons hire, said there is an immense sense of authorship over episodes. “The pitch was simple: ‘Help me do what we’re already doing, but now you do more of it,’” Selman explained. With a little help from the pandemic (“It kind of shook things up,” said Brian Kelley, who has worked on the series for more than 20 years), Selman instituted a model intended in part to replicate turnover at the top: a co-showrunner system in which four of the more senior writers would produce episodes from beginning to end, taking on all the responsibilities that previously would have been left to Selman or Jean. ![]() Partisans of the classic period often note that the showrunners in that era departed every two years, regularly infusing the show with new energy and sensibilities. The changing of the guard was also important on a structural level. Tim Bailey, a director on the series since 1995, said every episode feels like the “ Treehouse of Horror” Halloween special now in terms of its ambition. ![]() Most important, he gave all the writers license to experiment and not worry so much about what made the show successful in the past. But he made key hires, such as Gupta and Christine Nangle, that gave the staff a younger, more irreverent vibe and a wider array of perspectives. ![]() “Everything in showbiz is like, Pretend you do it all. Selman, who looks a tiny bit like Krusty managing a Little League softball game on his day off, neurotically demurs anytime I try to give him credit for galvanizing the show. Al Jean, one of the legendary original writers who returned as showrunner in season 13, is still a showrunner with Selman, but beyond overseeing around four episodes a season, his focus has been on managing the myriad Simpsons brand extensions, be they theme-park attractions or synergistic shorts for Disney+. Starting in season 23 (2011), he was given two episodes to showrun, then in each season that followed, he was given a few more, so that by season 33 (2021) he was essentially in charge. In Taylor Sheridan’s America, the Cowboy Is Colonized TooĪficionados know there were some great episodes even in the Dark Ages, the majority of which were helmed by Matt Selman, now The Simpsons’s 51-year-old primary showrunner.The Binge Purge: TV’s Streaming Model Is Broken.And thanks to the streaming era, a whole new generation is growing up bingeing The Simpsons, bolstering the sense that the show, once left for dead by critics, may really go on forever. The staff, working in the shadow of a looming writers strike when I visited, are putting out some of the most ambitious, poignant, and funny episodes in the show’s history - episodes that, after all these years, have managed to broaden our understanding of these familiar characters and why they remain so important to so many people. Brooks, one of the series’ founders, to the former members of the No Homers Club fan community, infamous for complaining about the decline of the show - agrees that The Simpsons, in 2023, is undergoing a renaissance. Every person I spoke to for this story - from Broti Gupta, one of the first writers on The Simpsons to have been born after the show’s premiere, to James L. ![]() The result was an overwhelming blahness and deepening cultural irrelevance just as many shows directly inspired by The Simpsons took off. Whereas the classic period was a joke-a-minute spectacle that veered between absurdist physical gags and heartfelt family squabbles, the Dark Ages tried to maintain the joke density but lost the show’s emotional core. Plow,” from which an endless fount of memes is drawn even today - The Simpsons entered what you might call its Dark Ages. the Monorail” and “ Cape Feare” and “ Mr. After eight seasons, from 1989 to 1997 - what connoisseurs agree is the classic period, the years of “ Marge vs. More precisely, I was the first reporter in many years to care. I was the first reporter in many years to document how the show comes together. In May, I visited the offices of The Simpsons deep inside the Fox Studio Lot in Century City. In recent years, the producers of The Simpsons have undertaken a significant renovation of the show, which, our legal department requests we make clear, is the point of this illustration of the family’s home.
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